ARNOLD SCHOENBERG STRUCTURAL FUNCTIONS OF HARMONY PDF

Structural Functions of Harmony. Arnold Schoenberg. First published in , Structural Functions of Harmony is Schoenberg's last theoretical work and contains his ultimate thoughts on classical and romantic harmony. The opening chapters are a resume of the basic principles of the early Theory of Harmony ; the subsequent chapters demonstrate the concept of 'monotonality', whereby all modulations to different keys within a movement are analysed not in relation to each other but in terms of the irrelationship to one central tonality tonic as the centre of all harmonic change. Schoenberg's music examples range from the entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger, and his own early music. In the s, Schoenberg developed the twelve-tone technique, and his approach, both in terms of harmony and development, is among the major landmarks of twentieth-century musical thought.

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Brand new Book. First published in , Structural Functions of Harmony is Schoenberg's last theoretical work and contains his ultimate thoughts on classical and romantic harmony.

The opening chapters are a resume of the basic principles of the early Theory of Harmony; the subsequent chapters demonstrate the concept of 'monotonality', whereby all modulations to different keys within a movement are analysed not in relation to each other but in terms of the irrelationship to one central tonality tonic as the centre of all harmonic change.

Schoenberg's music examples range from the entire development sections of classical symphonies to analyses of the harmonic progressions of Strauss, Debussy, Reger, and his own early music. Seller Inventory AA More information about this seller Contact this seller 6.

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May show signs of minor shelf wear and contain limited notes and highlighting. More information about this seller Contact this seller Paperback or Softback. Structural Functions of Harmony. Seller Inventory BBS The earlier chapters recapitulate in condensed form the principles laid down in his Theory of Harmony; the later chapters break entirely new ground, for they analyze the system of key relationships within the structure of whole movements and affirm the principle of "monotonality," showing how all modulations within a movement are merely deviations from, and not negations of, its main tonality.

Schoenberg's argument is supported by music examples, which range from entire development sections of classical symphonies to analyses of the experimental harmonic progressions of Strauss, Debussy, Reger, and Schoenberg's own early music. The final chapter, "Apollonian Evaluation of a Dionysian Epoch," discusses the music of our time, with particular reference to the possibility of new methods of harmonic analysis.

Structural Functions of Harmony is a standard work on its subject and provides an invaluable key to the development of musical structure during the last two hundred and fifty years. This new edition, with corrections, a new preface, and an index of subject headings, has been prepared under the editorial supervision of Leonard Stein. Seller Inventory APC Norton and 38; Company Norton and 38; Company, Seller Inventory IQ Seller Inventory BTA Contacter le vendeur.

Condition: Assez bon. Seller Inventory TGL Published by London, Ernest Benn, ; About this Item: London, Ernest Benn, ;, Revised Edition with Corrections. Pictorial wraps with small crease at the back. From: Mogul Diamonds Nr. Wolverhampton, United Kingdom. Paperback, pp. Very slight wear to covers, contents very good. UK postage will be reduced. Published by London: Faber, re-issued About this Item: London: Faber, re-issued Paperback, a little worn, internally VG.

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Structural Functions of Harmony

The Faber Shop has reopened. We are currently able to fulfil single item orders. JavaScript seems to be disabled in your browser. You must have JavaScript enabled in your browser to utilize the functionality of this website. In the s, Schoenberg developed the twelve-tone technique, and his approach, both in terms of harmony and development, is among the major landmarks of twentieth-century musical thought. The extraordinary scope of Schoenberg's intelligence, and the often prophetic character of his insights, make his writings on music an indispensable source for anyone interested in the complex history of twentieth-century music.

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Structural Functions Harmony by Arnold Schoenberg

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An American of Austrian birth, Arnold Schoenberg composed initially in a highly developed romantic style but eventually turned to painting and expressionism. At first he was influenced by Richard Wagner and tried to write in a Wagnerian style. He attracted the attention of Alban Berg and Anton von Webern, with whom he created a new compositional method based on using all 12 half-steps in each octave as an organizing principle, the so-called tone technique. His importance to the development of twentieth-century music is incredible, but the music he composed using this new method is not easily accessible to most concertgoers.

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