Maillet wanted to show what it was like to live the Acadian life and by writing over forty novels on the Acadians including her award-winning novel " La Sagouine " , she did just that. Le Pays de la Sagouine is a reenactment of the Acadian culture and is both entertaining and historic for viewers. Le Pays de la Sagouine is said to attract 68, people a season, which far exceeds the population of Bouctouche 2, The site's restaurant l'Ordre du bon temps was destroyed by fire on October 23, but has been rebuilt and is currently in operation. From Wikipedia, the free encyclopedia. This article includes a list of references , related reading or external links , but its sources remain unclear because it lacks inline citations.
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The subject who is truly loyal to the Chief Magistrate will neither advise nor submit to arbitrary measures. Viola Leger has owned the part of the scrubwoman La Sagouine for 40 years.
This article was published more than 10 years ago. Some information in it may no longer be current. Her face is as shapeless and crumpled as an old washrag. Her voice has the creaks and squeaks of an oil-parched cupboard door. But even at a distance, her tiny eyes gleam with wit like a pair of well-polished teaspoons. The character is in her bones. She first performed it in , when writer Antonine Maillet expanded a series of radio monologues into the one-woman play La Sagouine.
From there, the show toured and triumphed internationally and has become the stuff of Canadian theatre legend, even if many of us have never seen it. La Sagouine is the elderly wife of a fisherman and looks back on her life from the vantage point of her Acadian village based on Maillet's own hometown of Bouctouche, N.
The Pleiades production, gently directed by John Van Burek, consists of five monologues in which she ponders birth, death, war, religion and the perplexing Acadian identity with the wry skepticism of the poor and marginalized. Hers has been a hard life, in which she has known hunger, seen shipwrecks and buried too many infants. It's enough to make her wonder if the hell her Catholic Church speaks of can be any worse than what she and her people have already experienced.
She isn't complaining, though. Unlike her "bilious" husband Gapi, who is as much a social critic as an oyster-and-smelt fisherman, La Sagouine is calmly philosophical. That is, when she isn't bemused by government census-takers, or amused by the chaos that ensues when the parish priest decides to put the church's seating up for auction.
She also relies on her unlettered character's malapropisms for some easy laughs. More often, though, the play's salt-of-the-earth observations have real weight, and in La Sagouine's croaking voice you hear echoes of a classic lineage. When she confesses that it isn't death that troubles her, "it's what comes after," she sounds like a humble Hamlet. And there's a hint of Brecht's Mother Courage when, with cheerful irony, she explains the pecuniary advantages of a war.
Even her look belongs to the ages. La Sagouine is considered a landmark in bringing Canada's disenfranchised Acadian community to the stage.
At last, we understand why she and this play are national treasures. This is a space where subscribers can engage with each other and Globe staff. Non-subscribers can read and sort comments but will not be able to engage with them in any way. Click here to subscribe. If you would like to write a letter to the editor, please forward it to letters globeandmail.
Readers can also interact with The Globe on Facebook and Twitter. Read our community guidelines here. Customer help. Contact us. Log in. Log out. Article text size A. Open this photo in gallery:. Nir Bareket. Martin Morrow. Special to The Globe and Mail. Published May 19, Updated May 19, Published May 19, This article was published more than 10 years ago.
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La Sagouine is a cultural and artistic treasure
Signing up enhances your TCE experience with the ability to save items to your personal reading list, and access the interactive map. A collection of monologues by Acadian author Antonine Maillet, published in and performed on stage as a one woman show. La Sagouine inspired many theatre productions and television shows. A symbolic character of Acadian culture, La Sagouine is well known throughout Canada and francophone Europe. The adventure of La Sagouine , a collection of 16 monologues inspired by the life of Sarah Cormier who Antonine Maillet had come to know well through her grandson's memoirs, began in
The Pays de la Sagouine, the imaginary Acadian world of Antonine Maillet
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